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  1. The exhibitions organized at the Centro Pecci and the permanent collection are the fruit of the critical inclinations, the artistic interests and the actual concrete opportunities of the successive directors and curators who have worked there: , flanked over the years by external collaborators who have included Jean-François Chevrier e James Lingwood, Claudia Jolles, Elio Grazioli, Octavio Zaya, Germano Celant, Samuele Mazza, Giuliano Serafini, Filippo Maggia, Raffaele Gavarro, Marco Meneguzzo, Jean-Christophe Ammann, Jean-Pierre Criqui, Viktor Misiano, Achille Bonito Oliva, Marco Senaldi, Luca Beatrice, Davide Ferri. (1993-1994, former director of the international review “Art Forum”) set up new socio-cultural relations to connect the international art scene to the specific features of the territory, in the multi-location exhibition , CID/Arti Visive, 1994), together with the annual celebration of the world fight against AIDS and the institution of the international festival Videominuto (1993, Events Section), the setting up of a laboratory of expressive activities in a convention with the Italian national mental health services, and one of the first national conventions on (1994-1995, formerly assistant to Ida Panicelli) was able to produce the first Italian exhibition of Jan Fabre (1994), and significant solo shows by Angeli Savelli (1995) and Marco Bagnoli (1995-1996), as well as an exceptional selection of contemporary photography from the Swiss collection LAC (The position of president of the Centro Pecci was covered from September 1995 to July 1998 by the architect Paolo Paoletti.

  2. Any opinions, analysis, reviews, or recommendations expressed here are author’s alone, not those of any credit card issuer, and have not been reviewed, approved or otherwise endorsed by any credit card issuer.