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Like Regal, Harmony and most of their other competitors, Stromberg-Voisinet made relatively inexpensive instruments that were designed to be sold through catalogs.
The unit is connected with the amplifier, which produces the tone and volume required of the instrument.” Stromberg-Voisinet is particulary well-known among serious students of stringed instrument design for its unique “Venetian” body shape, which was used for its mandolins, tenor guitars and 6-string guitars.
During the 1950s their electric guitars were competitors for the Silvertone and Danelectro guitars. The company lineage started with the Groeshel Mandolin Company.
Engelhardt-Link purchased the acoustic line of instruments from Kay.
Stromberg-Voisinet is particulary well-known among serious students of stringed instrument design for its unique “Venetian” body shape, which was used for its mandolins, tenor guitars and 6-string guitars. The new company, “Kay Musical Instruments” was formally established in 1931 from the assets of Stromberg-Voisinet.
Henry Kuhrmeyer, with no musical background, but was financially successful in the musical instrument business.
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With the Stromberg-Voisinet company now recognized as a leader in their field, business expanded quickly, and by 1934 Kuhrmeyer repaid the debts he owed. In 1934 Kay, in response to National’s resonator guitars introduced the “Wood Amplifying Guitar.” It was a faux resonator that used wooden coverplate under which is a “wooden” resonating chamber with a trough that ‘feeds’ the sound upward to the dual grille holes.